The divorce, in 1988, still left Ms. Bass with a settlement believed at $200 million. She was ready to maintain onto the home in Fort Well worth, as properly as a Manhattan pied-à-terre on Fifth Avenue and its lofty contents: paintings by Monet and Mark Rothko, and an original bronze solid of Degas’s “Little 14-Calendar year-Aged Dancer.”
In subsequent decades, Ms. Bass turned one of New York’s most highly regarded philanthropists, supporting, in substantial but unflashy techniques, the New York Botanical Yard, the Museum of Modern Art and, specially, the New York Public Library and its Jerome Robbins Dance Division, which is housed at Lincoln Center and holds the greatest archive on the heritage of dance in the world.
Ms. Bass hardly ever remarried. She met Mr. Lethbridge, an completed artist six yrs her junior, in 1993. He specializes in large-scale summary paintings that sense rooted in mother nature, variously evoking wintertime tree branches, churning waves or rosy dawns.
In addition to Mr. Lethbridge, Ms. Bass is survived by two daughters, Hyatt Bass, a novelist, and Samantha Bass, a photographer.
As a board member, Ms. Bass was sometimes explained as brusque and implacable. In 1987, as a longtime trustee of the Fort Well worth Artwork Museum, she was blamed for a high institutional turnover: Inside a ten years, three administrators and an interim director had arrived and departed in brief order. Even people who admired her exacting requirements could be bothered by “the Bass body depend,” as Texas Regular monthly put it, referring to the arts directors who had unsuccessful to slice it in her eyes.
But to many her stubbornness came to seem to be like inspired foresight in regard to Peter Martins, the former head of Metropolis Ballet and its school. He still left his position in 2018 amid accusations of sexual harassment and verbal abuse. As early as 2005, Ms. Bass experienced sounded a warning, resigning from the school’s board and charging Mr. Martins, in a non-public letter, with gross misconduct.